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Perspectief --- Perspective --- Renaissance --- Art and literature --- -English literature --- -Perspective --- Visual perception in literature --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- History and criticism --- History --- English literature --- Early modern, 1500-1700 --- 18th century --- Europe

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Donne, John, --- Criticism and interpretation --- Criticism and interpretation. --- Donne, John, - 1572-1631 - Criticism and interpretation --- DONNE (JOHN), 1573-1631 --- CRITIQUE ET INTERPRETATION --- Donne, John, - 1572-1631

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Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers.Originally published in 1987.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

English literature --- Art --- anno 1600-1699 --- anno 1500-1599 --- -Perspective --- Visual perception in literature --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Shades and shadows --- Visual perception in literature. --- 82:7 --- Art and literature --- -Creation (Literary, artistic, etc.) --- -English literature --- Renaissance --- Revival of letters --- Creative ability in art --- Creative ability in literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- 82:7 Literatuur en kunst --- Literatuur en kunst --- History and criticism --- History --- Perspective. --- Renaissance. --- Creation (Literary, artistic, etc.) --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Aesthetics --- Literature --- Imagination --- Inspiration --- Creative ability --- Originality --- History and criticism. --- Perspective --- Creation (Literary, artistic, etc.).

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From Chaucer's The Canterbury Tales to Helen Fielding's Bridget Jones's Diary, this is a comprehensive guide to comedy in the English literary canon. Beginning with a critical exploration of historical and philosophical theories of humour, the book then supplies close-readings of a wide range of major texts, authors and genres from the Medieval period to the present. The Comic Mode in English Literature examines such texts as: Shakespeare's A Midsummer Night's DreamPope's The Rape of the LockAusten's Emma

English literature --- Comedy --- History and criticism.

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